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Modern Art Exhibition at Avada Galerie<\/p>\n
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Diplomov\u00e1 pr\u00e1ca \u010derp\u00e1 in\u0161pir\u00e1ciu z prvkov totemizmu, ktor\u00e9 prostredn\u00edctvom symbolu totemu pren\u00e1\u0161a do priestoru s\u00fa\u010dasn\u00e9ho interi\u00e9ru. Pojem totem je sp\u00e1jan\u00fd s klanmi a v totemick\u00fdch kult\u00farach m\u00e1 nesmierny v\u00fdznam. Totem je pova\u017eovan\u00fd za objekt istej zbo\u017enosti, prejavu \u00facty \u010di re\u0161pektu. Jedn\u00fdm zo sp\u00f4sobov zobrazenia totemu je vysok\u00fd objekt v podobe monument\u00e1lnej vertik\u00e1ly. Totem umiestnen\u00fd do obytn\u00e9ho interi\u00e9ru vych\u00e1dza zo snahy pouk\u00e1za\u0165 na s\u00favislosti medzi vz\u0165ahmi v p\u00f4vodn\u00fdch totemick\u00fdch kult\u00farach a vz\u0165ahmi \u010dlenov v dne\u0161nej rodine \u010di dom\u00e1cnosti. Potreba pribl\u00ed\u017ei\u0165 a pouk\u00e1za\u0165 na d\u00f4le\u017eitos\u0165 vz\u0165ahov \u010dloveka s jeho okol\u00edm je z\u00e1merne demon\u0161trovan\u00e1 prostredn\u00edctvom chrob\u00e1kov, z ktor\u00fdch v\u00fdskytu v interi\u00e9ri m\u00e1vaj\u00fa \u013eudia \u010dasto iracion\u00e1lny strach.<\/p>\n
[\/fusion_text][fusion_imageframe image_id=“10898|full“ max_width=““ sticky_max_width=““ skip_lazy_load=““ style_type=““ blur=““ stylecolor=““ hover_type=“none“ bordersize=““ bordercolor=““ borderradius=““ align_medium=“none“ align_small=“none“ align=“none“ lightbox=“no“ gallery_id=““ lightbox_image=““ lightbox_image_id=““ alt=““ link=““ linktarget=“_self“ animation_type=““ animation_direction=“left“ animation_speed=“0.3″ animation_offset=““ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ sticky_display=“normal,sticky“ class=““ id=““ filter_hue=“0″ filter_saturation=“100″ filter_brightness=“100″ filter_contrast=“100″ filter_invert=“0″ filter_sepia=“0″ filter_opacity=“100″ filter_blur=“0″ filter_hue_hover=“0″ filter_saturation_hover=“100″ filter_brightness_hover=“100″ filter_contrast_hover=“100″ filter_invert_hover=“0″ filter_sepia_hover=“0″ filter_opacity_hover=“100″ filter_blur_hover=“0″]http:\/\/www.bratislavadesignweek.sk\/wp-content\/uploads\/2021\/11\/DSC04993-scaled.jpg[\/fusion_imageframe][fusion_text columns=““ column_min_width=““ column_spacing=““ rule_style=“default“ rule_size=““ rule_color=““ font_size=““ line_height=““ letter_spacing=““ text_color=““ content_alignment_medium=““ content_alignment_small=““ content_alignment=““ animation_type=““ animation_direction=“left“ animation_speed=“0.3″ animation_offset=““ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ sticky_display=“normal,sticky“ class=““ id=““]<\/p>\n
Objekt sa sna\u017e\u00ed vytvori\u0165 interakciu \u010dloveka pri jeho pou\u017e\u00edvan\u00ed a mo\u017enos\u0165 jeho vo\u013en\u00e9ho pres\u00favania pod\u013ea aktu\u00e1lnych potrieb obyvate\u013eov dom\u00e1cnosti. Jeho tvar m\u00e1 tendenciu p\u00f4sobi\u0165 v priestore monument\u00e1lnym dojmom, priam a\u017e vyvola\u0165 dojem spirituality, ktor\u00fd \u010dlenom dom\u00e1cnosti pripom\u00edna my\u0161lienku vych\u00e1dzaj\u00facu z totemizmu. Obraz chrob\u00e1ka objavuj\u00faci sa v n\u00e1vrhu je metaforou nielen \u013eudsk\u00e9ho vz\u0165ahu k hmyzu v interi\u00e9ri, ale aj spr\u00e1vaniu sa \u010dloveka k svojmu okoliu v\u0161eobecne. D\u00f4sledkom \u013eudskej \u010dinnosti sa prirodzen\u00e9 prostredie na Zemi \u010doraz viac zmen\u0161uje a upozornenia na tento jav s\u00fa st\u00e1le viac nevyhnutn\u00e9. Z\u00e1mern\u00e9 zv\u00e4\u010d\u0161enie chrob\u00e1ka v podobe totemu ho symbolicky zv\u00e4\u010d\u0161uje na \u00farove\u0148 \u010dloveka a prin\u00e1\u0161a tak do n\u00e1vrhu ist\u00fa mieru paradoxu. Vo\u013eba materi\u00e1lov a v\u00fdtvarn\u00e9 spracovanie n\u00e1vrhu \u010derp\u00e1 z totemizmu a v\u00fdznamn\u00fdch znakov chrob\u00e1kov. MIMETIZMUS V n\u00e1vrhu boli zoh\u013eadnen\u00e9 vlastnosti pou\u017eit\u00e9ho materi\u00e1lu, ktor\u00e9ho povrch sa stal ohrani\u010den\u00edm pri tvorbe grafick\u00e9ho zn\u00e1zornenia chrob\u00e1ka. Z\u00e1mern\u00fdm vrstven\u00edm r\u00f4znych stup\u0148ov prieh\u013eadnosti a farebn\u00fdch odtie\u0148ov DICHROICKEJ F\u00d3LIE do tvaru valca vznikol zdanlivo jednoduch\u00fd objekt, ktor\u00fd u\u017e\u00edvate\u013ea a\u017e po rozsvieten\u00ed prekvap\u00ed zobrazen\u00edm chrob\u00e1ka ako totemu. Podobne ako sa organizmy \u010dasto chr\u00e1nia pred potenci\u00e1lnou hrozbou napodob\u0148ovan\u00edm prostredia ani obraz chrob\u00e1ka na toteme nie je vidite\u013en\u00fd, objavuje sa a\u017e po jeho rozsvieten\u00ed. V zhasnutom stave vn\u00edmame povrch f\u00f3lie so zrkadlov\u00fdm efektom, ktor\u00fd vytv\u00e1ra \u0161pecifick\u00e9 odrazy.<\/p>\n
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Odraz samotn\u00e9ho pozorovate\u013ea sa tak dost\u00e1va do konfront\u00e1cie s obrazom chrob\u00e1ka, ktor\u00fd sa na toteme zobraz\u00ed po rozsvieten\u00ed. ROZMANITOS\u0164 Okrem rozmanitosti funkci\u00ed v podobe interi\u00e9rov\u00e9ho objektu je totem po\u010das pou\u017e\u00edvania rozmanit\u00fd aj vizu\u00e1lne. Jednotliv\u00e9 \u010dasti v sebe ukr\u00fdvaj\u00fa odli\u0161n\u00e9 grafick\u00e9 zobrazenie tela chrob\u00e1ka, ktor\u00e9 je mo\u017en\u00e9 jednoducho ot\u00e1\u010da\u0165 a vytv\u00e1ra\u0165 nov\u00e9 kombin\u00e1cie. Spolu s meniacou sa farbou dichroickej f\u00f3lie pod\u013ea uhlu pozorovania tak vytv\u00e1raj\u00fa mnoho mo\u017en\u00fdch variantov. BIOLUMINISCENCIA V\u00fdrazn\u00e1 schopnos\u0165 bioluminiscencie niektor\u00fdch chrob\u00e1kov sa v n\u00e1vrhu stret\u00e1va so symbolom totemizmu. Moment rozsvietenia totemu chrob\u00e1ka m\u00e1 tendenciu p\u00f4sobi\u0165 v priestore monument\u00e1lnym dojmom, priam a\u017e vyvola\u0165 dojem spirituality, ktor\u00fd \u010dlenom dom\u00e1cnosti pripom\u00edna my\u0161lienku vych\u00e1dzaj\u00facu z totemizmu.<\/p>\n
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Phasellus eu scelerisque quam, id pulvinar ligula. Quisque pretium pharetra tortor. Vestibulum porta neque et ligula fringilla pharetra. Etiam eleifend ultricies nulla, in viverra.<\/p>","protected":false},"author":2,"featured_media":10895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[871,786],"tags":[],"class_list":["post-10893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2021","category-vystavujuci"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/10893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/comments?post=10893"}],"version-history":[{"count":3,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/10893\/revisions"}],"predecessor-version":[{"id":10900,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/10893\/revisions\/10900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media\/10895"}],"wp:attachment":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media?parent=10893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/categories?post=10893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/tags?post=10893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}