{"id":12570,"date":"2022-12-03T13:38:39","date_gmt":"2022-12-03T12:38:39","guid":{"rendered":"https:\/\/www.bratislavadesignweek.sk\/?p=12570"},"modified":"2022-12-06T21:49:53","modified_gmt":"2022-12-06T20:49:53","slug":"pat-pol-vyber","status":"publish","type":"post","link":"https:\/\/www.bratislavadesignweek.sk\/en\/pat-pol-vyber\/","title":{"rendered":"p\u00e4\u0165 & p\u00f3l v\u00fdber"},"content":{"rendered":"

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Modern Art Exhibition at Avada Galerie<\/p>\n

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P\u00c4\u0164 & P\u00d3L V\u00ddBER<\/h2>\n

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Ksenia Bilyk, Urn for Ashes<\/span><\/em><\/p>\n

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KSENIA BILYK<\/b><\/a><\/span><\/p>\n

\u201eKsenia Bilyk sa zam\u00fd\u0161\u013ea nad imperializmom a kolonializmom, prezentuje svoje n\u00e1zory na sp\u00f4soby prekonania traumatickej hist\u00f3rie.
\nBilyk vo svojom diele Urn for Ashes sk\u00fama revolu\u010dn\u00fd sovietsky totalitarizmus v keramick\u00fdch urn\u00e1ch s otvormi po gu\u013ek\u00e1ch, ktor\u00e9 d\u00fafaj\u00fa v zr\u00fatenie star\u00fdch imperialistick\u00fdch narat\u00edvov.\u201c \u2014 kur\u00e1torka Denisa Tomkov\u00e1 z v\u00fdstavy Still here (2022)<\/span><\/p>\n

Ksenia Bilyk: V pr\u00e1ci <\/span>Urn for Ashes<\/span><\/i> sa sna\u017e\u00edm zachyti\u0165 tieto rozpory, akoby n\u00e1m boli od za\u010diatku zn\u00e1me. Pok\u00fa\u0161am sa o synt\u00e9zu heroick\u00e9ho folkl\u00f3ru, ktor\u00fd \u00fazko s\u00favis\u00ed s naivn\u00fdmi mot\u00edvmi \u201e\u013eudov\u00e9ho\u201c umenia po\u010das revolu\u010dn\u00fdch premien na \u00fasvite sovietskej totality. Tak, ako vtedy disharm\u00f3nia a primit\u00edvnos\u0165 dominantn\u00e9ho rozpr\u00e1vania len baz\u00e1lne zakr\u00fdvali ohuruj\u00facu hr\u00f4zu sp\u00e1chan\u00fdch aj e\u0161te len zam\u00fd\u0161\u013ean\u00fdch zlo\u010dinov a zverstiev. Ako figur\u00e1lny \u0161t\u00fdl som si zvolila odv\u00e1\u017eny primitivizmus, aby som vytvorila dekor, ktor\u00fd sa preplet\u00e1 okolo antick\u00fdch tvarov, zd\u00f4raz\u0148uje pochm\u00farnu naivitu a detinsk\u00fa jednoduchos\u0165 modernej m\u00fdtotvorby ruskej propagandy a sp\u00e1ja ju s obrazmi ned\u00e1vnej minulosti. Preto sa sna\u017e\u00edm zachyti\u0165 genetick\u00fa postupnos\u0165 s\u00fa\u010dasn\u00e9ho <\/span>\u201e<\/span>triumf\u00e1lneho<\/span>\u201c<\/span> pr\u00edbehu, ktor\u00fd dominuje ruskej kult\u00fare, ako aj cynizmus a bla\u017een\u00fa naivitu, ktor\u00e1 ve\u010dne sprev\u00e1dza zverstv\u00e1 a zlo\u010diny. Z\u00e1mern\u00e1 vz\u00e1cnos\u0165 majolikovej farebnej palety a zd\u00f4raznen\u00e1 vrakov\u00e1 \u0161trukt\u00fara urny maj\u00fa nazna\u010dova\u0165 v\u0161eobecn\u00fa \u00fanavu a archaickos\u0165 materi\u00e1lu, akoby pripom\u00ednali kolapsy star\u00fdch narat\u00edvov a ve\u010dn\u00e9 pokusy o ich vzkriesenie z popola.<\/p>\n

<\/span><\/span><\/h4>\n

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Amir Chasson, Loose Holes<\/span><\/em><\/p>\n

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AMIR CHASSON<\/b><\/a><\/span><\/p>\n

\u201eN\u00e1silie a trauma spojen\u00e9 s vlastn\u00fdm rodom a sexualitou, najm\u00e4 v kontexte patriarch\u00e1lneho a militantn\u00e9ho prostredia, s\u00fa t\u00e9mou diela Amira Chassona. Chassonova publika\u010dn\u00e1 pr\u00e1ca <\/span>Loose Holes<\/span><\/i> kombinuje kol\u00e1\u017ee vytvoren\u00e9 z \u010dasopisov pre gejov s po\u00e9ziou. Dielo komentuje rusk\u00fa inv\u00e1ziu na Ukrajinu poh\u013eadom na obrazy LGBTQ Ukrajincov.<\/span>\u201c<\/span> \u2014 kur\u00e1torka Denisa Tomkov\u00e1 z v\u00fdstavy Still here (2022)<\/span><\/span><\/p>\n

Amir Chasson: Tento b\u00e1snick\u00fd cyklus, pohnut\u00fd a znepokojen\u00fd ruskou inv\u00e1ziou na Ukrajinu a najm\u00e4 pri poh\u013eade na obrazy LGBTQ Ukrajincov bojuj\u00facich nielen o svoj \u017eivot, ale aj proti hroziacemu riziku prenasledovania v r\u00e1mci potenci\u00e1lnej ruskej vojenskej okup\u00e1cie, a pri pomyslen\u00ed na ich uml\u010dan\u00e9 rusk\u00e9 n\u00e1protivky, pozost\u00e1va z kresieb dozork\u00fd\u0148 z nacistick\u00fdch koncentra\u010dn\u00fdch t\u00e1borov, ktor\u00e9 som umiestnil ved\u013ea kol\u00e1\u017e\u00ed vytvoren\u00fdch z mu\u017esk\u00fdch gay \u010dasopisov. T\u00fdmto sp\u00f4sobom som chcel pouk\u00e1za\u0165 na spolo\u010dn\u00fa t\u00e9mu tiel v n\u00fadzi. Ide o ozbrojenie layoutu s cie\u013eom <\/span>\u201e<\/span>prebudi\u0165<\/span>\u201c<\/span> p\u00f4vodn\u00fd zdrojov\u00fd materi\u00e1l aj div\u00e1kov, ktor\u00ed si v \u0148om n\u00e1hodne listuj\u00fa. Juxtapoz\u00edcia m\u00e1 moc v\u0161etko natiahnu\u0165 a posilni\u0165. Plat\u00ed to bez oh\u013eadu na to, ak\u00fd n\u00e1hodn\u00fd, rozmazan\u00fd, vyblednut\u00fd, upozaden\u00fd, n\u00e1hodn\u00fd alebo naliehav\u00fd m\u00f4\u017ee by\u0165 juxtaponovan\u00fd zdrojov\u00fd materi\u00e1l. V\u0161eobecnou my\u0161lienkou v\u0161etk\u00fdch mojich layoutov\u00fdch pr\u00e1c (v tla\u010di ako aj v ma\u013ebe a videu) je vyu\u017ei\u0165 zdanlivo nez\u00e1mern\u00fd vz\u0165ah medzi obrazom a textom alebo obrazom na vyplnenie medzery tam, kde p\u00edsan\u00fd jazyk (esej, po\u00e9zia) nesta\u010d\u00ed alebo neuspokoj\u00ed zvedavos\u0165 div\u00e1ka.<\/span><\/span><\/p>\n

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amirchasson.com<\/span><\/a><\/p>\n

instagram: amirchasson<\/a><\/span><\/p>\n

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Maika Dieterich, Grammar Animator<\/em><\/span><\/p>\n

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MAIKA DIETERICH<\/p>\n

\u201e<\/span>Jazyk a komunik\u00e1cia sa objavuj\u00fa v dielach Maiky Dieterich. Dietrichovej <\/span>Grammar Animator<\/span><\/i> vych\u00e1dza z estetiky jazyka, v ktorom po\u010d\u00edta\u010dov\u00fd program vytv\u00e1ra anim\u00e1cie na z\u00e1klade gramatick\u00fdch \u0161trukt\u00far r\u00f4znych jazykov. Pri navrhovan\u00ed novej bud\u00facnosti a podnecovan\u00ed dial\u00f3gu Dieterich predstavuje sp\u00f4sob, ak\u00fdm m\u00f4\u017eeme medzi sebou komunikova\u0165 mimo tradi\u010dnej abecedy.<\/span>\u201c<\/span> \u2014 kur\u00e1torka Denisa Tomkov\u00e1 z v\u00fdstavy Still here (2022)<\/span><\/span><\/p>\n

<\/span><\/h4>\n

Maika Dieterich: Pr\u00e1ca sa zaober\u00e1 estetikou jazyka. Nap\u00edsala som mal\u00fd program, ktor\u00fd vytv\u00e1ra anim\u00e1cie na z\u00e1klade gramatick\u00fdch \u0161trukt\u00far r\u00f4znych jazykov. Veci ako po\u010det znakov v abecede alebo po\u010det \u010dasov v jazyku s\u00fa vstupn\u00fdmi \u00fadajmi, ktor\u00e9 ur\u010duj\u00fa faktory ako mno\u017estvo \u010dast\u00edc v anim\u00e1cii alebo ako dlho zostan\u00fa vidite\u013en\u00e9. V\u00fdsledkom je, \u017ee dva jazyky z indoeur\u00f3pskej jazykovej rodiny zvy\u010dajne vyzeraj\u00fa ve\u013emi podobne, zatia\u013e \u010do jazyky z r\u00f4znych jazykov\u00fdch rod\u00edn vyzeraj\u00fa ve\u013emi odli\u0161ne. Je to celkom z\u00e1bavn\u00e9 a niektor\u00e9 v\u00fdsledky s\u00fa ve\u013emi kr\u00e1sne. Mysl\u00edm, \u017ee zauj\u00edmav\u00e9 na tejto pr\u00e1ci je zamyslie\u0165 sa nad t\u00fdm, ako zvy\u010dajne vn\u00edmame estetiku jazyka a ako sa to l\u00ed\u0161i (alebo mo\u017eno nie?) od tohto experimentu s vizu\u00e1lnou estetikou jazyka.<\/span><\/p>\n

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maikadieterich.de<\/span><\/a><\/span><\/p>\n

instagram: maika_dieterich<\/a><\/span><\/p>\n

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Petra Garajov\u00e1<\/span><\/em><\/span><\/p>\n

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<\/h4>\n

PETRA GARAJOV\u00c1<\/b><\/span><\/p>\n

<\/b>\u201eKlimatick\u00e1 n\u00fadza a na\u0161a prepojenos\u0165 s in\u00fdmi \u013eu\u010fmi a druhmi je \u010fal\u0161ou spolo\u010dnou t\u00e9mou vystaven\u00fdch diel Petry Garajovej. Prebyto\u010dn\u00e1 vlna, ktor\u00e1 poch\u00e1dza z oviec chovan\u00fdch prim\u00e1rne na potravin\u00e1rske \u00fa\u010dely, z\u00edskava v tomto projekte nov\u00fa hodnotu.\u201c \u2014 kur\u00e1torka Denisa Tomkov\u00e1 z v\u00fdstavy Still here (2022)<\/span><\/p>\n

Petra Garajov\u00e1: Moj\u00edm cie\u013eom bolo posun\u00fa\u0165 materi\u00e1lov\u00fd v\u00fdskum v oblasti recykl\u00e1cie odpadovej ov\u010dej vlny ako open source. \u010co znamen\u00e1, \u017ee ka\u017ed\u00fd dizajn\u00e9r*ka, farm\u00e1r*ka \u010di tvorca dok\u00e1\u017ee pou\u017ei\u0165 lok\u00e1lnu vlnu na produkciu bio-materi\u00e1lov a uplatni\u0165 ich vo vlastn\u00fdch dom\u00e1cnostiach \u010di produktoch. Nadbyto\u010dn\u00e1 vlna poch\u00e1dza z oviec, ktor\u00e9 s\u00fa prim\u00e1rne chovan\u00e9 na potravin\u00e1rske \u00fa\u010dely a nie je dostato\u010dne kvalitn\u00e1 na spracovanie v textilnom priemysle. Ov\u010dia vlna je bohat\u00e1 na prote\u00edn \u2013 kerat\u00edn, ktor\u00fd sa chemicky extrahuje z vl\u00e1kien. Chemick\u00fd proces s\u00e1m o sebe nie je jednoduch\u00fd, ale v tomto pr\u00edpade sa sna\u017e\u00ed vyu\u017e\u00edva\u0165 \u010do najudr\u017eate\u013enej\u0161ie postupy a chemik\u00e1lie, ktor\u00e9 sl\u00fa\u017eia k DIY chemickej extrakcii kerat\u00ednu mimo profesion\u00e1lneho laborat\u00f3rneho vybavenia. Kerat\u00edn sa tak implementuje do v\u00fdrobn\u00e9ho procesu bio-materi\u00e1lov ako napr\u00edklad 3D tla\u010den\u00e9 prototypy, bioplasty, \u00faprava kone\u010dn\u00fdch vlastnost\u00ed text\u00edli\u00ed (textile finishing) \u010di elektrostatick\u00e9 zvl\u00e1k\u0148ovanie (electrospinning). Nepou\u017eite\u013en\u00e1 vlna tak pomocou dizajnu nadob\u00fada nov\u00fa hodnotu ako materi\u00e1l a uzatv\u00e1ra jeho \u017eivotn\u00fd cyklus. Tak isto, ako roz\u0161iruje oblas\u0165 jeho uplatnenia. <\/span>[\/fusion_text][fusion_text animation_direction=\"left\" animation_speed=\"0.3\u2033 hide_on_mobile=\"small-visibility,medium-visibility,large-visibility\" sticky_display=\"normal,sticky\"]<\/p>\n

petragarajova.com<\/span><\/a><\/span><\/p>\n

instagram: petragarajova<\/a><\/span><\/p>\n

[\/fusion_text][\/fusion_text animation_direction=\"left\" animation_speed=\"0.3\u2033 hide_on_mobile=\"small-visibility,medium-visibility,large-visibility\" sticky_display=\"normal,sticky\"][\/fusion_text][\/fusion_text][fusion_text animation_direction=\"left\" animation_speed=\"0.3\u2033 hide_on_mobile=\"small-visibility,medium-visibility,large-visibility\" sticky_display=\"normal,sticky\"]<\/p>\n

exhibition space: GMB - Mirbach Palace<\/p>\n

instagram: pat.a.pol<\/a><\/span><\/span><\/span><\/p>\n

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Phasellus eu scelerisque quam, id pulvinar ligula. Quisque pretium pharetra tortor. Vestibulum porta neque et ligula fringilla pharetra. Etiam eleifend ultricies nulla, in viverra.<\/p>","protected":false},"author":2,"featured_media":12571,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[879,786],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/12570"}],"collection":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/comments?post=12570"}],"version-history":[{"count":5,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/12570\/revisions"}],"predecessor-version":[{"id":12723,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/12570\/revisions\/12723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media\/12571"}],"wp:attachment":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media?parent=12570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/categories?post=12570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/tags?post=12570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

instagram: bilyk_ksenia<\/a><\/span><\/p>\n