Ter\u00e9zia Fe\u0148ov\u010d\u00edkov\u00e1 \/ freier<\/b><\/p>\n
Slovensk\u00e1 Republika<\/span><\/p>\n asimilar<\/b>, 2023<\/span><\/p>\n Kolekcia o po\u010dte 18 r\u00f4znych siluet pracuje s v\u00fdberom odevov z denimu, ktor\u00e9 s\u00fa nosite\u013eom konceptu. Postupne doch\u00e1dza k strihovej asimil\u00e1cii odevn\u00e9ho druhu, ktor\u00e1 je o to razantnej\u0161ia v kontraste s notoricky zn\u00e1mym tvarom denimov\u00fdch odevov. V\u00fdrazov\u00fdm prvkom v\u010dlenen\u00fdm do odevov je pou\u017eitie vlnen\u00fdch \u0161atiek takzvan\u00fdch tibetiek. tie boli tuzexov\u00fdm tovarom a m\u00f3dne kop\u00edrovali perzsk\u00e9 vzory, \u010d\u00edm vhodne dop\u013a\u0148aj\u00fa koncept implement\u00e1cie zmeny tradi\u010dn\u00e9ho odevu.\u00a0<\/span><\/p>\n The collection features 18 distinct silhouettes that work with a selection of denim garments embodying the concept. There is a gradual assimilation in the clothing type, starkly contrasting with the well-known shape of denim clothes. An expressive element incorporated into the clothing is the use of woolen scarves from the so-called Tibetan women. These scarves were Tuzex goods and featured fashionably copied Persian designs, fittingly complementing the concept of implementing a change in traditional clothing.<\/b><\/p>","protected":false},"excerpt":{"rendered":" Ter\u00e9zia Fe\u0148ov\u010d\u00edkov\u00e1 \/ freier Slovensk\u00e1 Republika asimilar, 2023 SK Odevn\u00fd postoj v kolekcii asimilar je metaforou nadobudnutej konformity, ktor\u00e1 ovplyv\u0148uje \u00fasudok \u013eud\u00ed. Ich n\u00e1zor je podprahovo ovl\u00e1dan\u00fd a men\u00ed sa v niekoho prospech (hoaxy, fake news, dezinform\u00e1cie). Filmov\u00e1 in\u0161pir\u00e1cia They Live (1988, John Carpenter) ilustruje stanoven\u00fd koncept a z\u00e1rove\u0148 vedie pristupovanie k odevu. Kolekcia o […]<\/p>\n","protected":false},"author":2,"featured_media":13526,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[886],"tags":[],"class_list":["post-13412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1-kur-vyb"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/13412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/comments?post=13412"}],"version-history":[{"count":3,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/13412\/revisions"}],"predecessor-version":[{"id":14272,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/13412\/revisions\/14272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media\/13526"}],"wp:attachment":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media?parent=13412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/categories?post=13412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/tags?post=13412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span>EN<\/b>
\n<\/span>Odevn\u00fd postoj v kolekcii <\/span>asimilar<\/b> je metaforou nadobudnutej konformity, ktor\u00e1 ovplyv\u0148uje \u00fasudok \u013eud\u00ed. Ich n\u00e1zor je podprahovo ovl\u00e1dan\u00fd a men\u00ed sa v niekoho prospech (hoaxy, fake news, dezinform\u00e1cie). Filmov\u00e1 in\u0161pir\u00e1cia They Live (1988, John Carpenter) ilustruje stanoven\u00fd koncept a z\u00e1rove\u0148 vedie pristupovanie k odevu. <\/span><\/p>\n
\n<\/span>EN<\/b>
\n<\/span>
\n<\/span>The clothing attitude in the „Asimilar“ collection serves as a metaphor for acquired conformity, influencing people’s judgment. Their opinions are subliminally controlled, leading to changes in someone’s favor (hoaxes, fake news, misinformation). The movie „They Live“ (1988, John Carpenter) serves as inspiration, illustrating the conceptual framework and guiding the approach to the garments.<\/b><\/p>\n