{"id":18352,"date":"2026-09-24T11:10:18","date_gmt":"2026-09-24T09:10:18","guid":{"rendered":"https:\/\/www.bratislavadesignweek.sk\/?p=18352"},"modified":"2026-09-24T11:10:19","modified_gmt":"2026-09-24T09:10:19","slug":"univerzalny-substrat_vystava-adrian-miklos-ctrl-calm-2025","status":"publish","type":"post","link":"https:\/\/www.bratislavadesignweek.sk\/en\/univerzalny-substrat_vystava-adrian-miklos-ctrl-calm-2025\/","title":{"rendered":"UNIVERZ\u00c1LNY S\u00daBSTR\u00c1T_V\u00ddSTAVA: Adri\u00e1n Miklo\u0161: CTRL CALM, 2025"},"content":{"rendered":"

Ateli\u00e9r experiment\u00e1lneho dizajnu, V\u0160VU Bratislava (ved\u00faca ateli\u00e9ru: Sylvia Jokelov\u00e1, odborn\u00e1 asistentka: Petra Ryb\u00e1nska)<\/p>\n\n\n\n

Moja tvorba vych\u00e1dza z dlhodob\u00e9ho osobn\u00e9ho vz\u0165ahu k zvuku a hudbe. Hudbu \u0161tudujem od detstva a postupne som si za\u010dal uvedomova\u0165, \u017ee zvuk pre m\u0148a nepredstavuje iba be\u017en\u00fd sluchov\u00fd vnem, ale materi\u00e1l, s ktor\u00fdm je mo\u017en\u00e9 pracova\u0165, pretv\u00e1ra\u0165 ho a budova\u0165 z neho nov\u00e9 zmyslov\u00e9 sk\u00fasenosti. Fascinuj\u00fa ma najm\u00e4 repetit\u00edvne a ka\u017edodenn\u00e9 zvuky. Napr\u00edklad rytmus zadn\u00e9ho kolesa bicykla, dopadanie kvapiek vody alebo zvuk skrinky na prechode pre chodcov. Tieto zvuky si u\u017e nieko\u013eko rokov nahr\u00e1vam a n\u00e1sledne ich digit\u00e1lne upravujem tak, aby vytv\u00e1rali harmonick\u00e9, hypnotick\u00e9 a upokojuj\u00face zvukov\u00e9 \u0161trukt\u00fary.<\/p>\n\n\n\n

Projekt vznikol aj ako reakcia na osobn\u00fa sk\u00fasenos\u0165 s \u00fazkos\u0165ou a pre\u0165a\u017een\u00edm vo verejn\u00fdch priestoroch. Zvuky, ktor\u00e9 vytv\u00e1ram a po\u010d\u00favam, mi pom\u00e1haj\u00fa ukotvi\u0165 sa v pr\u00edtomnom okamihu, upokoji\u0165 telo aj myse\u013e a vytvori\u0165 bezpe\u010dn\u00fd vn\u00fatorn\u00fd priestor. Postupne som v\u0161ak za\u010dal prem\u00fd\u0161\u013ea\u0165 nad t\u00fdm, ako tento int\u00edmny z\u00e1\u017eitok roz\u0161\u00edri\u0165 aj do \u010fal\u0161\u00edch zmyslov\u00fdch rov\u00edn.<\/p>\n\n\n\n

Z nahr\u00e1vok materi\u00e1lov a objektov ka\u017edodennej potreby, elektronick\u00fdch s\u00fa\u010diastok, kovov\u00fdch komponentov, k\u00e1blov, gumi\u010diek \u010di vlasov som vytvoril s\u00e9riu experiment\u00e1lnych zvukov\u00fdch kompoz\u00edci\u00ed. Tie sa n\u00e1sledne stali z\u00e1kladom audioreakt\u00edvnych vizu\u00e1lov reaguj\u00facich na frekvenciu, rytmus a intenzitu zvuku. V\u00fdsledn\u00e1 in\u0161tal\u00e1cia prep\u00e1ja sluch, zrak a hmat do jedn\u00e9ho komplexn\u00e9ho vnemov\u00e9ho priestoru.<\/p>\n\n\n\n

Pomocou piezoelektrick\u00fdch senzorov m\u00f4\u017ee div\u00e1k fyzick\u00fdm dotykom a tlakom manipulova\u0165 vizu\u00e1lnu projekciu v re\u00e1lnom \u010dase. Prep\u00e1jan\u00edm technol\u00f3gie a du\u0161evn\u00e9ho stavu tak dielo prest\u00e1va by\u0165 iba pas\u00edvnym objektom a men\u00ed sa na interakt\u00edvny syst\u00e9m, v ktorom sa \u010dlovek st\u00e1va s\u00fa\u010das\u0165ou procesu. Projekt sk\u00fama mo\u017enosti multisenzorick\u00e9ho vn\u00edmania, vz\u0165ah medzi telom, technol\u00f3giou a psychick\u00fdm pre\u017e\u00edvan\u00edm, ako aj potenci\u00e1l zvuku a repet\u00edcie vytv\u00e1ra\u0165 stav s\u00fastredenia, pokoja a takmer meditat\u00edvneho ponoru, ak\u00e9hosi zenu.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Adri\u00e1n Miklo\u0161: CTRL CALM<\/p>\n\n\n\n

Studio of Experimental Design, Academy of Fine Arts and Design, Bratislava (Head of Studio: Sylvia Jokelov\u00e1, Assistant: Petra Ryb\u00e1nska)<\/h2>\n\n\n\n

My work is based on a long-term personal relationship with sound and music. Having studied music since childhood, I gradually came to realize that, for me, sound is not merely an ordinary auditory sensation but a material\u2014something to be worked with and transformed to build new sensory experiences. I am particularly fascinated by repetitive, everyday sounds\u2014such as the rhythm of a bicycle\u2019s rear wheel, the patter of falling water droplets, or the sound of a pedestrian crossing signal. For several years, I have been recording these sounds and digitally manipulating them to create harmonious, hypnotic, and soothing sonic structures.<\/p>\n\n\n\n

This project also emerged as a response to my personal experience with anxiety and sensory overload in public spaces. The sounds I create and listen to help ground me in the present moment, calm both body and mind, and establish a safe internal space. Over time, however, I began to consider how to extend this intimate experience into other sensory dimensions.<\/p>\n\n\n\n

Using recordings of everyday objects and materials\u2014such as electronic components, metal parts, cables, rubber bands, and even hair\u2014I created a series of experimental sound compositions. These compositions subsequently served as the foundation for audio-reactive visuals that respond to the sound’s frequency, rhythm, and intensity. The resulting installation integrates hearing, sight, and touch into a single, complex sensory environment. Using piezoelectric sensors, the viewer can manipulate the visual projection in real time through physical touch and pressure. By linking technology with the mental state, the artwork ceases to be a mere passive object and transforms into an interactive system in which the individual becomes part of the process. The project explores the possibilities of multisensory perception, the relationship between the body, technology, and psychological experience, as well as the potential of sound and repetition to induce a state of focus, calm, and near-meditative immersion\u2014a kind of Zen state.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Ateli\u00e9r experiment\u00e1lneho dizajnu, V\u0160VU Bratislava (ved\u00faca ateli\u00e9ru: Sylvia Jokelov\u00e1, odborn\u00e1 asistentka: Petra Ryb\u00e1nska) Moja tvorba vych\u00e1dza z dlhodob\u00e9ho osobn\u00e9ho vz\u0165ahu k zvuku a hudbe. Hudbu \u0161tudujem od detstva a postupne som si za\u010dal uvedomova\u0165, \u017ee zvuk pre m\u0148a nepredstavuje iba be\u017en\u00fd sluchov\u00fd vnem, ale materi\u00e1l, s ktor\u00fdm je mo\u017en\u00e9 pracova\u0165, pretv\u00e1ra\u0165 ho a budova\u0165 z […]<\/p>\n","protected":false},"author":2,"featured_media":18354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[846,900],"tags":[],"class_list":["post-18352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-news","category-news-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/18352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/comments?post=18352"}],"version-history":[{"count":1,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/18352\/revisions"}],"predecessor-version":[{"id":18357,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/18352\/revisions\/18357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media\/18354"}],"wp:attachment":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media?parent=18352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/categories?post=18352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/tags?post=18352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}