{"id":7868,"date":"2018-05-25T10:07:31","date_gmt":"2018-05-25T09:07:31","guid":{"rendered":"http:\/\/www.bratislavadesignweek.sk\/?p=7868"},"modified":"2024-09-25T12:23:57","modified_gmt":"2024-09-25T10:23:57","slug":"zamatove-jazera-tradicia-inak-beata-gerbocova-a-henrieta-kurcikova-v-dizajn-studiu-uluv","status":"publish","type":"post","link":"https:\/\/www.bratislavadesignweek.sk\/en\/zamatove-jazera-tradicia-inak-beata-gerbocova-a-henrieta-kurcikova-v-dizajn-studiu-uluv\/","title":{"rendered":"Zamatov\u00e9 jazer\u00e1 (trad\u00edcia inak). Be\u00e1ta Gerb\u00f3cov\u00e1 a Henrieta Kur\u010d\u00edkov\u00e1 v Dizajn \u0161t\u00fadiu \u00da\u013dUV"},"content":{"rendered":"

Be\u00e1ta Gerb\u00f3cov\u00e1, textiln\u00e1 v\u00fdtvarn\u00ed\u010dka p\u00f4sobiaca aj na Katedre textilnej tvorby Vysokej \u0161koly v\u00fdtvarn\u00fdch umen\u00ed (V\u0160VU) v Bratislave, svojou aktu\u00e1lnou kolekciou \u017eak\u00e1rov\u00fdch tkan\u00edn rozpr\u00e1va silne toxick\u00fd a znepokojuj\u00faco skuto\u010dn\u00fd pr\u00edbeh kedysi \u017eivotom pulzuj\u00faceho jazera. Nech\u00e1va n\u00e1s vpl\u00e1va\u0165 do v\u00f4d ob\u00fdvan\u00fdch patog\u00e9nnymi chim\u00e9rami,ponori\u0165 sa do olejovej n\u00e1ru\u010de a nad\u00fdcha\u0165 sa jedovatej slanosti. Smaragdov\u00fa ani tyrkysov\u00fa tu nen\u00e1jdete, zato sladko zahn\u00edvaj\u00facu ru\u017eov\u00fa, nekrotick\u00fa fialov\u00fa \u010di metalick\u00fd lesk belasej \u00e1no. Jej text\u00edlie nemaj\u00fa uzavret\u00fd sujet, tak ako nie je, verme, definit\u00edvne spe\u010daten\u00fd ani osud Aralsk\u00e9ho jazera. Na v\u00fdstave ich formuluje fazetami slobodne rozv\u00edjanej priestorovej in\u0161tal\u00e1cie, v jednotlivostiach m\u00f4\u017ee by\u0165 \u017eak\u00e1rov\u00e1 tkanina vrstven\u00e1, prekr\u00fdvan\u00e1, \u0161trukt\u00farovan\u00e1 aj in\u00fdmi met\u00f3dami, napr. sie\u0165otla\u010dou. Sleduje t\u00fdm predov\u0161etk\u00fdm vn\u00fatorn\u00fa logiku fabuly\/text\u00edlie. V tomto zmysle je rovnako podstatn\u00fd rub i l\u00edce diela, na jednej i druhej strane pre \u0148u generuje celkom in\u00fd druh odkazov a v\u00fdznamov.
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\nDigit\u00e1lny pr\u00edstup charakterizuje aj diela Henriety Kur\u010d\u00edkovej, doktorandky na Katedre textilnej tvorby V\u0160VU v Bratislave. Jej pracovn\u00fdm n\u00e1strojom je digit\u00e1lny vy\u0161\u00edvac\u00ed stroj a met\u00f3dou intervencie posuny a \u00fakroky vstupuj\u00face do automatizovan\u00e9 postupu zariadenia. Kolekcia, ktor\u00e1 je s\u00fa\u010das\u0165ou jej doktorandskej pr\u00e1ce, reaguje na (aj v postdigit\u00e1lnej dobe) atrakt\u00edvnu a sledovan\u00fa t\u00e9mu origin\u00e1lu a k\u00f3pie. Autorku zauj\u00edma na \u00farovni tradi\u010dnej slovenskej v\u00fd\u0161ivky, v\u0161\u00edma si autentick\u00fa verziu v jej estetickej a remeselnej kvalite a d\u00e1va ju do kontrastu s ambici\u00f3znymi i naivistick\u00fdmi posunmi dek\u00f3ru, so s\u00e9riovo i s individu\u00e1lne produkovan\u00fdm suven\u00edrov\u00fdm brakom, s \u00fa\u010delovo patriotistick\u00fdm, ekonomick\u00fdm, bez empatie k vn\u00fatornej dynamike v\u00fdvoja remesla motivovan\u00fdm z\u00e1ujmom o uchov\u00e1vanie dom\u00e1cich trad\u00edci\u00ed.<\/p>\n

V\u00fd\u0161ivky, ktor\u00e9 navrhuje Henrieta, stavaj\u00fa na cielen\u00fdch tenzi\u00e1ch i n\u00e1hodn\u00fdch krokoch, vyu\u017e\u00edvaj\u00fa moment preru\u0161enia i sledovania vzoru, pokojn\u00fa i temperamentn\u00fa silu ornament\u00e1lneho vzoru. V\u0161\u00edma si a do svojho konceptu vie zapoji\u0165 d\u00f4stojnos\u0165 a meditat\u00edvnos\u0165 repetit\u00edvneho princ\u00edpu, ale i gener\u00e1ciami zrej\u00face intuit\u00edvne geometrie a symbolick\u00e9 po\u00e9zie slovensk\u00fdch \u013eudov\u00fdch v\u00fd\u0161iviek.<\/p>\n

Dizajn \u0161t\u00fadio \u00da\u013dUV, Dobrovi\u010dov\u00e1 13<\/p>\n

Od roku 2000 je v Bratislave v\u00fdstavn\u00fd priestor \u00dastredia \u013eudovej umeleckej v\u00fdroby s n\u00e1zvom Dizajn \u0161t\u00fadio \u00da\u013dUV na Dobrovi\u010dovej 13. Filozofia Dizajn \u0161t\u00fadia vych\u00e1dza z potreby zvidite\u013e\u0148ova\u0165 p\u00f4vodn\u00fd slovensk\u00fd dizajn zameran\u00fd na remesl\u00e1, dizajn so zna\u010dkou trad\u00edcie a kreativity. Predmety a diela prezentovan\u00e9 v Dizajn \u0161t\u00fadiu charakterizuje najm\u00e4 orient\u00e1cia na tradi\u010dn\u00e9, klasick\u00e9 technol\u00f3gie a tie\u017e vyu\u017e\u00edvanie pr\u00edrodn\u00fdch materi\u00e1lov v spojen\u00ed s origin\u00e1lnou my\u0161lienkou.<\/p>","protected":false},"excerpt":{"rendered":"

Be\u00e1ta Gerb\u00f3cov\u00e1, textiln\u00e1 v\u00fdtvarn\u00ed\u010dka p\u00f4sobiaca aj na Katedre textilnej tvorby Vysokej \u0161koly v\u00fdtvarn\u00fdch umen\u00ed (V\u0160VU) v Bratislave, svojou aktu\u00e1lnou kolekciou \u017eak\u00e1rov\u00fdch tkan\u00edn rozpr\u00e1va silne toxick\u00fd a znepokojuj\u00faco skuto\u010dn\u00fd pr\u00edbeh kedysi \u017eivotom pulzuj\u00faceho jazera. Nech\u00e1va n\u00e1s vpl\u00e1va\u0165 do v\u00f4d ob\u00fdvan\u00fdch patog\u00e9nnymi chim\u00e9rami,ponori\u0165 sa do olejovej n\u00e1ru\u010de a nad\u00fdcha\u0165 sa jedovatej slanosti. Smaragdov\u00fa ani tyrkysov\u00fa tu nen\u00e1jdete, […]<\/p>","protected":false},"author":2,"featured_media":7870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[634,896],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/7868"}],"collection":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/comments?post=7868"}],"version-history":[{"count":1,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/7868\/revisions"}],"predecessor-version":[{"id":7871,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/posts\/7868\/revisions\/7871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media\/7870"}],"wp:attachment":[{"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/media?parent=7868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/categories?post=7868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bratislavadesignweek.sk\/en\/wp-json\/wp\/v2\/tags?post=7868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}