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Terézia Feňovčíková / freier

Slovenská Republika

asimilar, 2023


SK
Odevný postoj v kolekcii asimilar je metaforou nadobudnutej konformity, ktorá ovplyvňuje úsudok ľudí. Ich názor je podprahovo ovládaný a mení sa v niekoho prospech (hoaxy, fake news, dezinformácie). Filmová inšpirácia They Live (1988, John Carpenter) ilustruje stanovený koncept a zároveň vedie pristupovanie k odevu.

Kolekcia o počte 18 rôznych siluet pracuje s výberom odevov z denimu, ktoré sú nositeľom konceptu. Postupne dochádza k strihovej asimilácii odevného druhu, ktorá je o to razantnejšia v kontraste s notoricky známym tvarom denimových odevov. Výrazovým prvkom včleneným do odevov je použitie vlnených šatiek takzvaných tibetiek. tie boli tuzexovým tovarom a módne kopírovali perzské vzory, čím vhodne dopĺňajú koncept implementácie zmeny tradičného odevu. 


EN

The clothing attitude in the „Asimilar“ collection serves as a metaphor for acquired conformity, influencing people’s judgment. Their opinions are subliminally controlled, leading to changes in someone’s favor (hoaxes, fake news, misinformation). The movie „They Live“ (1988, John Carpenter) serves as inspiration, illustrating the conceptual framework and guiding the approach to the garments.

The collection features 18 distinct silhouettes that work with a selection of denim garments embodying the concept. There is a gradual assimilation in the clothing type, starkly contrasting with the well-known shape of denim clothes. An expressive element incorporated into the clothing is the use of woolen scarves from the so-called Tibetan women. These scarves were Tuzex goods and featured fashionably copied Persian designs, fittingly complementing the concept of implementing a change in traditional clothing.

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